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Aleph 2.0: start a video edit with a list of what must stay unchanged

Changing a decor or variant produced in an existing film can open new creative tracks. For an advertising studio, the decisive test is on the accuracy of the modification and the elements that the tool must keep.

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Source visual — Runway
Runway · Original image and source. Image linked to its source and hosted by the publisher. Rights remain with their owners; no republication licence is assumed.
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Automatic translation with AI assistance and editorial review. The original French version is the reference if wording differs. French original

Announcement of 21 May 2026.The source date is separate from the publication date of this article.

Article prepared with artificial intelligence assistance. The sources and method are indicated in the text.

In this folder
  1. The advertised functions and the documented limits
  2. Our analysis: defining the boundary of the retouch
  3. The test must include a correction
  4. Decline for the Maghreb not only means changing a decor

Changing a decor or variant produced in an existing film can open new creative tracks. For an advertising studio, the decisive test is on the accuracy of the modification and the elements that the tool must keep.

See the official visual of Aleph 2.0 and the announcement Runway
Credit: Runway. Visual presentation related to its source, without any presumed copying license. Examples of the publisher are not customer cases of the Son of Pub or MediaPro.

The advertised functions and the documented limits

On May 21, 2026, Runway announced Aleph 2.0 with Edit Studio to edit existing videos. The editor describes a preview of the change on an image before the video generation, as well as changes applied to several plans. The ad places access in the desktop web application on pay formulas. The consulted guide specifies entries of more than two seconds and less than thirty seconds, between 480p and 1080p, and a limit of ten cuts. Compatibility and conditions must be verified on the project concerned; no performance has been tested here.

Our analysis: defining the boundary of the retouch

A retouch brief is worth distinguishing between three sets: what one wants to transform, what one needs to preserve and what requires an additional decision. For a product plan, colour can be a variable while the shape of the packaging and the legibility of the mark remain references. This distinction must be formulated before choosing a preview image.

We recommend keeping a copy of the source and an approved statement. The modified version is then compared to the original film on the defined criteria. Control should not be limited to the most flattering plan of the sequence.

Proposed monitoring What the studio is looking for
Product Form, proportions, details and text that should not be derived
Movement Continuity of gestures, camera and interactions
Fittings Consistency of the modified elements from one plan to another
Delivery Duration, format, editing and approved version

The test must include a correction

To judge the integration in the studio, we propose an exercise on authorized images and a fictitious brand: produce a retouch, have it read again, and then ask for a precise modification. The team measures the necessary repeats and keeps the versions. The test thus focuses on the ability to conduct the work until validation, without deducing a productivity gain of only one successful generation.

A preview image can help to discuss the direction. It does not prove that the whole movement or connections will be satisfactory. The assembler and the artistic direction must look at the complete sequence in its diffusion context.

Decline for the Maghreb not only means changing a decor

An adaptation intended for another market can affect the promise, languages and uses shown. Replacing a background is not enough to make a campaign relevant to a given audience. We recommend a local context validation and a rereading of the offer information, separated from the technical validation of the image.

This protocol does not present any real campaign as a film made with Aleph. It proposes a way to test an announced capacity, without assigning to the AI a creation whose mode of production is not documented.

Sources and Demonstrations: Runway, announcement of 21 May 2026 ; Edit Studio official guideThis guide contains animated demonstrations before/after; they are linked to their source and have not been reproduced. Consultation: November 2, 2026.

To be extended: the studio chain and its corrections ; French-Arab adaptation.

Article prepared with assistance IA from the sources cited, consulted on November 2, 2026. The analyses and grids are proposed by the editor; no test independent of the product or customer result are claimed. The Son of Pub is linked to Mediapro Group:consult the group's own solutions, whose fictitious demonstrations are reported. No partnership with the organizations mentioned is deduced from this link. Director of publication: Alexandre Frioui.

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Suggested routes from the story to briefing, production or measurement. These features are separate from the original publication.

  1. AI-assisted motion design and editing: build a studio workflow that survives revisions
  2. Seedance 2.5: a thirty-second shot does not replace advertising storyboards
  3. Kling 4.0: assess control of a shot before promising a complete production
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Directeur de la publication : Alexandre Frioui